22 Nov. 2016


Reiko Tomii, Anonymity vs. Publicity: Collective Performances of 1960s Tokyo

→ Bâtiment Boulevard Helvétique

This lecture by historian of art and curator Reiko Tomii focuses on Hi Red Center and Zero Dimension in a comparable manner, while offering a 60s context of their street performances, encompassing art and politics.
Reiko Tomii is a New York-based scholar and curator who investigates post-1945 Japanese art in local and global contexts.
With an introduction by Catherine Chevalier.
In collaboration with Fri-Art, Fribourg, in the framework of Tobias Madison’s and Catherine Chevalier’s teachings, Work.Master program, HEAD – Genève.