Night Shift was conceived during her four-month residency at the Centre, and reflects its own architectural format. Objects manufactured in the industrial world and the matter – retrieved or rented for the occasion – are here taken out of context, deprived of their artifact status, grouped and staged in provisional situations echoing the two very distinct spaces intended to receive them: the open space of the second floor, with its natural light, evoking a horizon versus the fragmentation of the closed rooms of the third floor.