CHF 1’550/year for students with tax residence in Switzerland
CHF 2’250/year for international students
Tuition fees
French
Language requirements
180
6 semesters
Full time
Bachelor of Arts HES-SO in Film
The Bachelor in Film is aimed at providing professional level training that combines intensive practice, technical mastery and critical reflection. Workshops are conducted by professionals who work in contemporary cinema.
The program trains students to become filmmakers who dare to take esthetic risks in their explorations of genres – documentary, fiction, animation and all their hybrid forms – to create works that are in tune with the real world. Beginning in their first year, students will be creating and directing films as part of a team, gaining knowledge of every aspect of cinematic processes through practice, from writing screenplays to directing and post-production.
In the second year, students will continue to increase their skills and their practice, and develop the ability to express their personal voice, and go on to select their area of specialization: image, editing, production, direction, screenwriting or sound engineering. The training ends with the creation of a cinematic thesis project that focuses on the specialization of each student, as well as a classic thesis, and, depending on their area of study, the completion of an internship.
The Bachelor in Film is organized around three main areas:
Students will explore a variety of creative genres – fiction, documentary, animation as well as hybrid formats – in order to gain a full understanding of contemporary narrative approaches.
Students will gain overall experience in all the fundamental practices – shooting, sound, editing and postproduction – even as they develop the specialized area of study they have selected (image, editing, production, direction, screenplay writing or sound).
Students will be mentored by professionals in the field who will encourage them to develop their own perspective and original vision as authors, hone their critical thinking and their capacity to work collaboratively through theory courses, workshops and projects that encourage them to take creative risks, experiment and connect with others.
Students who complete a course of study will have learned to:
Yasmine Bahechar
Lilou Hermann
Elena Iruarrizaga Ballesteros
Antoine Scalese
Diane Agatha Schaefer
Sandro Aguilar, Sofia Alaoui, Kamal Aljafari, Fabrice Aragno, Claire Atherton, Marine Atlan, Tristan Aymon, Kenza Barrah, Claude Barras, Antoine Barraud, Sarah Blum, Céline Bozon, Iris Brey, Anne Brouillet, Philippe Ciompi, Faye Corthésy, Ael Dallier Vega, Robin Deriaud, Daniel Deshays, Lav Diaz, Pauline Doméjan, Claire Doyon, Farah Clémentine Dramani-Issifou, Hassen Ferhani, Andreas Fontana, Sylvie Gadmer, Jan Gassmann, Elie Grappe, Lilith Grasmug, Blaise Harrison, Loïc Hobi, Christine Hoffet, Tatiana Huezo, Carlos Ibañez Diaz, Véronique Jaggi, Carmen Jaquier, Kirsten Johnson, Denis Jutzeler, Gina Keller, Julien Lacheray, Chloé Larouchi, Oliver Laxe, Danielle Leissovitz, Elena Lopez Rieira, Marie Losier, Elina Löwensohn, Eleonore Mallo, Lucas B. Masson, Callisto McNulty, Quentin Mistral, Laura Morales, Eugenia Mumenthaler, Nora Nahid Khan, Elene Naveriani, Catherine Paillé, Caroline Poggi, Nicolas Rabaeus, Thomas Reichlin, Jonathan Ricquebourg, João Pedro Rodrigues, Mélia Roger, Antoine Russbach, Florian Sanson, Cyril Schäublin, Diara Sow, Saeed Taji Farouky, Elena Tatti, Jonathan Vinel, Seumboy Vrainom, François Wolf, Rui Xavier, Flavia Zanon
Once they complete a Bachelor in Film, students enter a variety of career paths in the film and audiovisual industries, as well as various cultural fields. Some examples:
Le cursus se déploie sur trois années. Les deux premières forment un tronc commun qui construit les fondamentaux du métier : ateliers de réalisation (documentaire puis fiction), caméra, son, montage d'images, ainsi qu'une solide formation théorique en histoire et esthétique du cinéma. Dès la fin de la deuxième année, les étudiant·e·x·s amorcent leur orientation en choisissant l'une des quatre options — Réalisation, Montage, Image ou Son — dans la perspective du projet de diplôme. La troisième année est alors entièrement consacrée à l'approfondissement de l'option choisie, jusqu'à la réalisation du travail de diplôme.
Réalisation 1: Atelier réalisation documentaire
Atelier caméra 1 & 2
Atelier son 1 et 2
Atelier Netfootage et initiation à l'IA
Atelier montage image 1
Ecosystème du cinéma et veille artistique 1
Théorie 1: Histoire du cinéma documentaire 1
Théorie 2: Esthétique du son et de l'image
Réalisation 2: Atelier Fiction
Atelier caméra 3
Atelier son 3
Atelier montage d'images 2
Théorie 3: Histoire du cinéma 1
Théorie 4: Histoire contemporaine du cinéma 1 (Théorie 4)
Semaine de tous les possibles
Réalisation 3 et Caméra 4: Ateliers
Réalisation 4 et Montage image 4: Atelier Bolex
Ecosystème du cinéma et veille artistique 2
Atelier scénario 1: Ecrire un traitement de long métrage
Théorie 5: Esthétique du cinéma 2
Modules transversaux (voir ci-dessous)
Atelier son 4
Réalisation 5, Caméra 5: Atelier fiction
Réalisation 6, Caméra 6, Montage image 5: Grand Atelier
Préparation projet de diplôme: Réalisation; Montage; Image; Son
Théorie 6: Histoire contemporaine du cinéma 2
Modules transversaux (voir ci-dessous)
Semaine de tous les possibles
Option Réalisation: Ecriture et préparation film de diplôme
Option Montage: Pratique montage avancé et préparation projet de diplôme
Option Son: Pratique du son avancé et préparation projet diplôme
Option Image: Pratique caméra avancée et préparation projet diplôme
Tutorat technique et théorique
Production créative 1
Ecosystème du cinéma et veille artistique 3
Modules transversaux (voir ci-dessous)
Bachelor Thesis
Préparation travail pratique Bachelor Thesis
Production créative 2
HEAD – Genève provides students with a range of specialized workshops and facilities that serve as spaces for learning, experimentation, and production. Covering areas such as publishing and printing, image and sound, digital technologies, photography, woodworking, metalworking, 2D and 3D prototyping, and ceramics, these spaces offer instruction and guidance from professional teams.
Throughout the Bachelor’s program, students can choose from a range of cross-disciplinary courses open to all programs. Combining hands-on workshops and theoretical courses, these offerings provide opportunities to explore a wide range of skills and practices, from traditional techniques to emerging technologies, as well as diverse fields of knowledge, from art and design history to major contemporary issues.
Admission to the Bachelor in Film requires:
If you do not hold the required qualification, you may apply for admission under special conditions. The applicable terms are set out in the Admission Requirements section.