Type de cours
Semaine de tous les possibles
Année
2025-2026
Category
Workshop
Instructors
Nora Dookali, Javier Fernandez Contreras, Damien Gredier, Hule Kechichian, Manik Tadevosian, Lola Stamboulián, David Viladomiu Ceballos
Teaching languages
French, English
Type d'enseignement
Enseignement pratique

Description

“A little more than 100 years ago was the Armenian Genocide waged by the Ottoman Empire, followed by large-scale looting, vandalization, and destruction of Armenian sites across what is now modern-day Turkey. The prospect of a second cultural genocide is now on the table.” Christina Maranci, 2023

In a humanitarian context, how can 3D scans of monuments become acts of collective memory, or even forms of resistance or justice? How can intangible elements (stories, emotions, practices) be integrated into a technical modeling process, and how can a mediation be imagined that reaches different audiences? The workshop will also examine how archiving tools can be transformed, completed, visualized, and restituted: how can we design the possibility that these models support future efforts of material and/or community reconstruction? Can digital heritage be performative, participatory, and cumulative?

The week-long program will be structured around the design of a web interface aimed at reconstructing the heritage of Artsakh preserved by the Armenian Heritage Scanning Project. Participants will conceive and develop a web scenography based on 3D scans of built heritage provided by the TUMO Center for Creative Technologies (Yerevan, Armenia). These data will be reassembled using the Blender software. Prior knowledge of this tool is appreciated but not required.

The workshop will be led by the team behind the research project The Future of Humanitarian Design, in collaboration with TUMO Center experts who will intervene throughout the week.


Assessment

The assessment is based on participation in the five days of the workshop and on the degree of active engagement of the student.

2026-2027Moulage basesAline Morvan 2026-2027L’essai cinématographique, une «forme qui pense»Bertrand Bacqué 2025-2026Les merveilleuses 2025-2026Les cinémas d’Afrique de l’Ouest et du Centre Bertrand BacquéBertrand Bacqué 2025-2026Le rôle et la figuration de l'animal dans les pratiques artistiques contemporainesJulie Enckell 2025-2026Le nu en artClaude-Hubert Tatot 2026-2027Le « film noir », anatomie d’un genreBertrand Bacqué 2025-2026Le cinéma, un art spectral : entre fantômes et fantasmagories Bertrand BacquéBertrand Bacqué 2025-2026Laboratoire d'interactivité et programmation IIDaniel Zea 2025-2026LIQUID LATEXTommy Capiaux, Noé Aenishanslin, Mamin