Type de cours
Semaine de tous les possibles
Année
2025-2026
Category
Workshop
Instructors
Emmanuel Burdeau, Maryam Goormaghtigh, Divers-e-x-s, Critique-x-s
Teaching language
French
Type d'enseignement
Enseignement pratique

Description

This workshop offers an introduction to film criticism alongside Emmanuel Burdeau. Former editor-in-chief of Cahiers du Cinéma, the author has continuously reinvented his practice in response to new media (essays, blogs, podcast via SoFilm, Mediapart, Stack, etc.) and thus renewed the expression of his critical thinking.

Throughout the week, participants will reflect on how criticism extends creation and on the political responsibility artists bear toward the imaginaries conveyed by their works.

Criticism bridges the author's thinking and the secrets of a film. It elevates value judgments, often biased by criteria such as taste and opinion.

The workshop will begin with a brief history of film criticism. A mini-roundtable will bring together several Swiss French critics to confront their different approaches to the profession. Participants will map out new forms of criticism in the digital space. The outcome of this work will take the form of an interactive directory, collectively produced.

In a second phase, the screening of three films soon to be shown in Geneva (at the Grütli and Spoutnik cinemas) will serve as a basis for small-group critical analysis.

The workshop will culminate in the production of a radio broadcast, hosted by Emmanuel Burdeau, in which students will take on the role of film critics. The broadcast channels will be specified during the workshop.

The workshop is open to all perspectives and disciplines. It offers a unique opportunity to share one's passion for cinema beyond those who produce it.


Assessment

The evaluation is based on participation in the five days of the workshop and on the degree of active engagement of the student.

2025-2026MODÉLISATION ET IMPRESSION NUMÉRIQUE 3DClaudy Iannone, Juan Sebastian Galar Bello, Emilie Isere 2025-2026Les merveilleuses 2025-2026Les cinémas d’Afrique de l’Ouest et du Centre Bertrand BacquéBertrand Bacqué 2025-2026Le rôle et la figuration de l'animal dans les pratiques artistiques contemporainesJulie Enckell 2025-2026Le nu en artClaude-Hubert Tatot 2026-2027Le « film noir », anatomie d’un genreBertrand Bacqué 2025-2026Le cinéma, un art spectral : entre fantômes et fantasmagories Bertrand BacquéBertrand Bacqué 2025-2026Laboratoire d'interactivité et programmation IIDaniel Zea 2026-2027Laboratoire d'interactivité et programmation IIDaniel Zea 2026-2027L’essai cinématographique, une «forme qui pense»Bertrand Bacqué