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Christophe Kihm, Jay Jordan, Fabrice Gygi, Lili Reynaud Dewar, Adeena Mey
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Is it true that dogs look at me wrong?
Is it true that even dogs look at me wrong? What’s failing in a dog’s eyes who’s dog who knows why they shit where they do maybe they were waiting for you.

Glancing is looking without seeming to look. Stealing a look at PERSONNE.
If the rule is not to look I am hiding looking. What am I trying to steal, you think, you mean, I lean over too much.’Tis that scare of owning a face unchecked. ’Tis the thing out of control. Everybody is wearing their mugshot. My mirror is seeing my mugshot while I just see the nose and the clock in the back ticking counterclockwise.

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There is an image living in this space, in midair. There are things made to make images that make for a stage for this image in midair. You can walk your line or mine, however I would really love you to stand on this balcony for a while. I promise all the gear is real and working.

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Linn Nora is an artist with a background in filmmaking, working across media and often site-specifically. With a gestural approach, she aims to shift perspectives, to infiltrate given structures and to reveal performative undercurrents of contemporary life. Her gaze is committed to how images are inherited, how they condition, charge and (re)value objects and relations. Conjuring layered pictures, Linn Nora exhibits and celebrates their artificiality and manufacturing, adapting artisanal techniques of image production to her ressources. As she likes to maintain a movable studio, her materials are mostly borrowed, exchanged for or purchased and resold on the secondary market.

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