There is no such thing as an original idea, therefore I often use appropriation and profit of the collective imaginary to tease out inherent qualities that could be hidden in it. Through my plural practice that I develop through pictorial and sculptural concerns, I noticed an ethical dimension that resist as well as the notion of ’care’. By the notion of 'care' I mean the care that I give to the works that I create as well as facing the commun experience of the vulnerability of our systems, our social links and seeking a possibility of transformation of our world. I maintain and perpetuate this “care” as the natural extension of the domestic field in my practice.