Louise imagines sculptures/drying rooms
for the recycled paper it manufactures, which evoke the recoil time, drying
necessary, after collective experiments
intense, as well as the different shapes that
gossip can take place in the world of
the edition to overflow Bolloré.

In a world where the far right
floods imaginaries and even goes so far as to take ownership of the paper to avoid it anymore to leave, in a world or even words
of "climate change", "equality", “woman”, 'LGBTQIA+', 'racism' are forbidden, paper opens on the imaginary of the blank page that seems like a chasm but leave hope, offer supports for these stories of resistance in order to be restored visible. As long as there is paper for the writing and voices to say them, to transmit them, we can continue to exist.