In Kosovo, although streets have names, they are rarely used. Their names have often changed since the end of the war, usually according to those in power. Today, residents mostly navigate using descriptions. This project takes the form of a film, born from this lack of fixed landmarks in the urban landscape. Blending two cultures, Swiss and Kosovar, it unfolds in a blurred, transitional space, much like these nameless streets: an
uncertain in-between. Architecture becomes the guiding thread of a reflection in which the urban environment transforms into a mental labyrinth, a metaphor for the self and for identity. The film will explore a personal memory, shared with my sister, Anaïs.