In this series, I explore the relationship between the body and space through figures in constant transformation and architectural structures composed of lines, planes, and layered forms. Architecture does not appear merely as a backdrop, but rather as a liminal space—a place of transition where spatial and bodily points of reference become unstable.
Confined within this environment, the body seems to be continuously traversed, displaced, and reconfigured by the space surrounding it. Through transparency, blur, and the layering of forms, I seek to make visible a state of transition in which the body and architecture mutually transform one another. Painting thus becomes a space where the boundaries between presence and absence, stability and movement, remain in a constant state of suspension.