It was 3:33 a.m. when I began to remember that time existed.
My DNA remained intact, but my body had shifted form.
Everyone was gone. Or maybe no one had ever been.
I found myself suspended in a flattened space, impossible to grasp in its entirety.
The only rhythm - the only trace of time - came from fragments of found footage, a flickering dialogue, like misplaced objects accidentally unearthed.
These fragments described a hostile landscape - one where the physical world had merged with digital spaces, with digital narratives, with digital realities that had once seemed harmless, even ephemeral.
This piece offers an interpretation of a world slowly warping, where belief systems intertwine with biased algorithmic ecosystems. In 2025, these systems often amplify hate speech, dehumanizing ideologies, and exploit the economy of fear.
The installation consists of a 20-minute video, accompanied by a podcast tracing the story of my master’s thesis, titled Clark.
It centers on the radicalization of an individual - Clark - through far-right digital ecosystems.
The narrative recounts Clark’s descent into conspiracy theories such as QAnon, exploring the psychological and cognitive mechanisms that enable such beliefs, often exacerbated by the structure of online platforms.
It also examines the transnational networks that underpin far-right movements, their strategies of influence, and the broader societal consequences of their growing presence.