This installation exists in a state of waiting, somewhere between storage, transport, and potential emergence. At the beginning of the semester, a rapid, hands-on production process led me to accumulate forms derived from castings, construction materials, and industrial objects. As the pieces accumulated, the use of pallets for moving and storing them proved essential.
This piece arose from a desire to take a step back and examine my relationship with production, often been excessive, over the past three years.
Rather than fully installing the work, I chose to suspend the act: everything seems ready, but nothing really happens. The sculptures remain contained, as if in a pre- or post-installation state; they exist in their potential rather than in their completion. Like materials laid out on the edges of construction sites, they wait. Discreet interventions activate this latency and inscribe a fragile temporality.