This work takes as its starting point my mother’s music cassettes. These sound archives bear traces of different eras, of a language in circulation, of familial and cultural transmissions, and of experiences of displacement. Sampling becomes a space of tension between memory and reinvention. The sounds are stretched into ambient textures, slowed down, cut up, pitch-shifted (or de-pitched), and replayed through a sampler. In traditional music, the instrument functions both as a tool and as a vehicle of transmission, carrying stories and forms of knowledge. Today, Ableton Live extends this role as a space for composition and the transformation of sensory experience. Although this research is still at an embryonic stage, it can already take shape as a video installation, a sound performance, or an online broadcast.