Modern life appears as a gigantic metaphor of the wave. The inescapable catastrophes to come melt the anxieties of a world that walks on a crest, paradoxically submerged by events, and deeply attracted by the void. At the foot of this immense wave, humans, submerged by dreams, fears, emotions. They see it approaching, winding up, breaking, they fall, get up again. Each silhouette is thought of as an emotion, possibly felt in this temporal space of tension between two states, when everything hangs by a thread and can topple at any moment into darkness or light. The clothes are thought to propose a manifesto of survival in the modern world by focusing on physical and emotional protection.

In this space between two worlds, the materials clash. Some protect, smooth and cold, they break on contact with the ground or shimmer like a sea of oil. Others, warm and soft like paper and mohair knits, undulate and wrap around the body, evoking softness, security and vulnerability. The volumes are echoes of the imbalance, huge, losing the body, or tight, form-fitting, like a second skin that carries us. Carriers of this duality, the clothes will act as armours, technically thought to throw oneself into these whirlpools of foam but also as clouds and bubbles of softness and fragility in which the protection is enveloping, merging into softness, and where the bodies float and let themselves be carried on the surface.

This collection positions itself between the world of ready to wear and something more sculptural / experimental in terms of volumes.