My diploma presentation takes the form of a multimedia installation (paintings, artist's books, posters, videos, objects) composed of different ongoing projects as well as older ones developed during my studies in the Work.Master program. In a sense, the installation echoes the fragmented way in which I develop my practice. Each project or piece expands the constitution of a diffuse whole, akin to a rhizomatic logic.

Having grown up in Bolivia and studied art in Europe, my practice develops between different cultural backgrounds, sometimes even opposed. I am precisely interested in the way symbols circulate and fluctuate between asynchronous ideological and value systems. The notions of translation, interpretation, and appropriation are therefore quite present in my work. They introduce a certain instability, as well as an ambivalence, that I try to mobilize. It is indeed important for me, as an artist, to maintain a certain indefinite position and a constant (self-) questioning, especially in an era of polarized entrenchments and totalizing identifications.